My 2025 ranking is messy in the best way: engines screaming, grief sitting quietly in the room, political pressure, survival mode, romance, faith, horror, and films that either shook me awake or followed me home. I am ranking these by impac

I went in blind here. Kala ko nung una, dahil sa title, puro violence lang ang ibibigay ng film.


Maganda ang sets and may konting film grains that give it a soft and almost nostalgic texture.


Much stronger on a second viewing because the film shifts from feeling like a mystery to feeling like an interpretation exercise.

The film starts like a search story but slowly turns into a meditation on grief, and by the end I felt less entertained and more emotionally drained, like it just sits…


The film keeps shifting my confidence from one side to the other, making every new detail feel like it could completely change how I see the situation.


Sa unang tingin, akala ko isa lang itong typical disaster survival film: sunog, takbuhan, sigawan, tapos iyakan sa dulo.




Watched it twice, once in a regular cinema for the story and again in IMAX for the visuals.

Watching this a second time gives me a very different appreciation for how the film is built.

Tense investigative drama about accountability and the difficulty of confronting institutions that protect their own.

Taron Egerton brings an intense, unstable energy that keeps a constant sense of danger on screen, while the film grounds itself as a father and daughter story about…

I cannot help but admire again the acting, cinematography, and production design here.




Watching this film, I felt very lucky that I have financial freedom and I’m not stuck in a badly chosen investment vehicle, whether property or crypto.

Jay Kelly is a quiet, reflective character study about success, isolation, and the cost of living at a level far removed from ordinary life.

Menacing Mark Hamill as always. He brings that intimidating authority, ramdam mo agad yung pressure.

Ne Zha 2 carries the same vibes and aesthetic as the first film, but here the animation is much sharper and the details are more noticeable.

The film opens with beautiful landscape photography, and that visual quality stays consistent all throughout.

To be honest, di talaga ako fan ng history pag binabasa o pinapanood sa documentary form.

I experience this as a darkly funny and uncomfortable film about beauty, acceptance, and the ridiculous extremes people go through just to fit society’s standards.

The film’s musical energy immediately pulls me into its lively, playful tone.

I view this story as a kind of quiet rebellion that happens even within the safety and comfort of a loving parent.

Undeniably great cinematography. Same level as The Northman mixed with Dune: Part One and Part Two.

Another heavy documentary about the effects of war and terrorism on ordinary people.

Warm start. I am not really educated about Down syndrome, so I just went along with the story and learned from what the film was showing me.


Lily James is so beautiful as always. But more than that, she carries the film with a quiet strength.





A quiet, intimate grief story that I deeply relate to, even if it never fully devastates me the way I expected.



May strong motivation agad sa umpisa pa lang, so mabilis kang mahook sa story.


Right from the first few minutes, the problem of poverty is already evident.


Fun heist with a score that sometimes feels like Mission Impossible.

What if AI robots becomes super expressive, with real emotions, loyalty, and the need for consent, but doesn’t even know that it is a robot?

The dogs fusing together and the nightmare of Millie’s parents set the tone perfectly.




Feels like an Inception x Transformers: Dark of the Moon x The Dark Knight Rises.

The story feels like about greed, like as if living off someone else’s sorrow.

Surprised that this is such a reflective emotional healing journey.

I love the idea that the Predators have this culture of hunting down the best of the best instead of just targeting random human beings as prey.



Sa storytelling, ramdam ko yung pagkaloop style niya, parang Edge of Tomorrow, Groundhog Day, pati Source Code at kahit If I Stay.

Feel good movie. 💯🫶 Sa katandaan, nakalimutan ko na ganun pala kafun and kaemotional ang Lilo & Stitch.




At its core, the film quietly asks a difficult question: would you do the same sacrifice for someone who isn’t your family, the same way you would for your own blood?

Parang The Office ang camera work: mockumentary style cinematography na may handheld shots, crash zooms, at sudden pans.


This film is another Safdie style pressure cooker where the chase for money becomes the engine of constant anxiety.


A gentle, emotionally grounded film about care, boundaries, and the quiet cost of empathy.

The film uses circular anamorphic lenses, giving it a dreamy and unstable feel.

The film uses anamorphic lenses, which already gives it that stretched, cinematic look.

The drama is great. It is all about reliving a painful and bitter past.

The first few minutes already feel really heavy despite the silence and the very few words spoken.


Light and full of heart. This really fits my positive outlook on life, especially my lane of family, legacy, and business ambition.

So ngayon may suicide bomber na rin. That alone already changes the tone of the franchise.






It honestly feels like Keanu Reeves just gate crashed into this production while on break from John Wick.

The film opens as a silent movie. I was kind of waiting for the right opportunity to properly watch one ever since I watched Babylon, and luckily I experienced it here.



Drop feels like a tribrid of The Menu x Knives Out, with a dose of Nerve’s thrill aesthetic.


After 7 years balik otaku phase na ako 😅 Last anime ko pa was One Piece episode 716, 2018 pa yun!




Early on, the film throws a very classic and cliché question at the president: how do we know we can trust you to keep us safe when you can’t even keep your own house in…



Magaling mang manipulate si Teodora. Ramdam mo kung gaano siya ka calculated at ka smooth sa pag control ng situation.

Set design is colorful since Macau ang depicted setting, may pagka Wes Anderson yung vibe ng interiors.

At first, that unpredictability is intriguing, but over time it can feel disorienting rather than purposeful.

The first thing I noticed is the look. Circular bokeh lenses are used, film grain is very evident, and there are interchanging shots that feel like old film or…


The film captures the profound pain and systemic hatred fueled by years of bloody conflict.

The film has strong indie Netflix vibes. The kind of production that feels raw and character driven rather than polished in a big studio blockbuster.


I watched this mainly because of Benicio Del Toro, and right from the start, the film delivers with a strong score and immediate action.


Tbh, I laughed more than I got spooked. The first hour has strong craft right away.

I was constantly on edge and guarded because the framing kept suggesting that something was about to jumpscare me, but nothing really did.







My main issue is that the movie is extremely poetic and metaphorically dense.



There’s a really strong connection moment early on that feels almost IMAX worthy.





There are actually some breathtaking shots, but I kept getting taken out of the experience whenever it switched to obvious studio green screen shots.

I love how natural Nora and Agnes are. Rachel was also very natural in her performance.

Background noise kind of movie. Feels like a waste of Austin Butler’s talent.