A tribute to women who don’t just exist in the story; they are the story. From warriors and witches to astronauts, pop stars, mothers, killers, queens, and girls just trying to survive the apocalypse, this list is for every film where she i



A deeply emotional rise and fall romance about love, fame, and self destruction.

Much stronger on a second viewing because the film shifts from feeling like a mystery to feeling like an interpretation exercise.

<i>"Get away from her, you bitch!" </i> I really appreciate the old school filmmaking craft here.

The film keeps shifting my confidence from one side to the other, making every new detail feel like it could completely change how I see the situation.

In my memory, this felt like a fast paced action film, but on rewatch it plays more like a slow burn.







Pieces of a Woman feels less like a film, and more like an open wound you’re forced to touch.




Watching this a second time gives me a very different appreciation for how the film is built.

A quiet, intimate film that leans heavily on silence, pauses, and unspoken emotion.

Non spoiler thoughts summary: At its heart, this is a gentle and sincere romance built on trust and recognition rather than words.


So this is how it feels when Quentin Tarantino directs a Fast and Furious movie?

The slow deliberate pacing kept me distant at first, but the second half pulled me in once the visuals became more precise and the colors drained away.

I experience this as a darkly funny and uncomfortable film about beauty, acceptance, and the ridiculous extremes people go through just to fit society’s standards.




























What if AI robots becomes super expressive, with real emotions, loyalty, and the need for consent, but doesn’t even know that it is a robot?


Lily James is so beautiful as always. But more than that, she carries the film with a quiet strength.

Nellie (Margot Robbie) and Manny’s (Diego Calva) conversation early on is immediately relatable.

A wildly creative and emotionally grounded multiverse story that turns chaos into a metaphor for family, regret, and connection.




Well it is actually funny when it finally clicked why that is the title.


The Favourite is a visually striking period film that uses exaggerated wide angle lenses, crisp focus, and distorted framing to create an intentionally unsettling and…

This is a grounded startup story that takes its time building empathy for an underdog boxed in by financial pressure, family dynamics, and self doubt.

I watched this during Valentine’s while I had a tremendous headache, so I just wanted something light and easygoing.




























Kill Bill: Vol. 2 takes a very different approach from its predecessor, trading constant spectacle for restraint, dialogue, and character driven tension.


I immediately felt Tarantino’s signature rhythm in how tension is built through conversations, framing, and quiet maneuvering instead of nonstop action.






























I experience this as a revenge film driven more by psychology and social commentary rather than physical violence.

A vibrant yet introspective relationship story about indecision, timing, and personal growth.


Challengers is less a traditional sports film and more an intense psychological relationship drama that uses tennis as its battlefield.

Zoey Deutch's Jill looks like a mix of Cobie Smulders, Lily Collins, Daisy Ridley, and Natalie Portman.

There are some cool scenic, cinematic wide shots that I think were shot in real locations.


What starts with a rough and distracting CGI-heavy opening eventually settles into a tense survival thriller once the focus shifts to human behavior under pressure.










Early on, the film throws a very classic and cliché question at the president: how do we know we can trust you to keep us safe when you can’t even keep your own house in…


I’m immediately pulled in by the star power, but it’s Meryl Streep who anchors everything.


Funny and weird movie. It uses that strange metaphor of a mother slowly turning into something she is not.



I experience this as a warm, funny coming of age story about growing up inside rigid structures and slowly learning to appreciate where I came from.


I watched this after X because I wanted to see what the future holds for Maxine and how her story would conclude.

