A24 Movies, Ranked
A curated list of movies and shows that either come from A24. Emotional weight, visual identity, grounded performances, psychological depth, and that unmistakable “arthouse-but-accessible” vibe. This collection mixes certified A24 originals
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Eternity (2025)★★★★★Maganda ang sets and may konting film grains that give it a soft and almost nostalgic texture.
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Past Lives (2023)★★★★½A quiet, intimate film that leans heavily on silence, pauses, and unspoken emotion.
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Uncut Gems (2019)★★★★½Sa simula pa lang, may kadiri na agad. Ramdam ko na yung tension agad from the opening moments.
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Enemy (2013)★★★★½The film immediately establishes an unsettling mood through its oppressive yellow color grading.
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The Iron Claw (2023)★★★★½Iron Claw opens with explosive energy, a full on wrestling spectacle where Zac Efron appears on screen massively ripped!
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Ne Zha 2 (2025)★★★★½Ne Zha 2 carries the same vibes and aesthetic as the first film, but here the animation is much sharper and the details are more noticeable.
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Room (2015)★★★★½Their room feels so cramped. I was under the impression that they were under experiment or that the world was already apocalyptic.
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Civil War (2024)★★★★Grabe agad ang impact. The delayed explosion sound with the reflection of America’s map shaking, brilliant way to open the film.
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The Whale (2022)★★★★From the first frame, The Whale hides Charlie in shadows parang sinasabi agad: this is a man drowning in shame.
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Good Time (2017)★★★★Good Time is a relentless, anxiety driven experience that throws you straight into chaos and never lets up.
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★★★★A wildly creative and emotionally grounded multiverse story that turns chaos into a metaphor for family, regret, and connection.
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The Brutalist (2024)★★★★I like the moment when Harrison Lee turns from being mad to eventually falling in love with László’s design for his library.
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The Drama (2026)★★★½Funny banter from the start, and I like that there are more lines for Alana Haim.
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The Lobster (2015)★★★½I experience this as a dark, absurd comedy that uses exaggerated rules about relationships to poke fun at social pressure and conformity.
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Highest 2 Lowest (2025)★★★½At its core, the film quietly asks a difficult question: would you do the same sacrifice for someone who isn’t your family, the same way you would for your own blood?
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Causeway (2022)★★★½From the first scene pa lang, I instantly saw myself in Jennifer Lawrence’s character.
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Spring Breakers (2012)★★★½ - 27
Marty Supreme (2025)★★★½This film is another Safdie style pressure cooker where the chase for money becomes the engine of constant anxiety.
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A Ghost Story (2017)★★★What if the afterlife is just staying behind and watching everything you left?
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The Lighthouse (2019)★★★The film immediately stands out through its immersive sound and production design, where the environment feels alive and oppressive rather than just background.
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Pi (1998)★★★ - 34
Primetime (2026)★★★This reminded me of Nightcrawler (2014) in the way media becomes a competition for attention.
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Moonlight (2016)★★½Moonlight is a coming of age story about a little black kid who grows up bullied by his own community, neglected by his junkie mom, and confused about his sexuality.
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The Witch (2015)★★½I’m locked in immediately by the voice and score, and the film never really lets go of that dread.
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undertone (2025)★★½I was constantly on edge and guarded because the framing kept suggesting that something was about to jumpscare me, but nothing really did.
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We Live in Time (2024)★★Great acting by Andrew and Florence. I am with Florence’s character here, Almut.
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MaXXXine (2024)★★I watched this after X because I wanted to see what the future holds for Maxine and how her story would conclude.
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Lady Bird (2017)★★I experience this as a warm, funny coming of age story about growing up inside rigid structures and slowly learning to appreciate where I came from.
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The Killing of a Sacred Deer (2017)★★The score is genuinely bothersome, and for me, it is the highlight of the film.
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Mother Mary (2026)★½All that for a dress? Reminiscent of PTA’s Phantom Thread, but make it look like a highly artistic and elaborate music video with nicely done continuous shots and…
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Death of a Unicorn (2025)★½There’s a really strong connection moment early on that feels almost IMAX worthy.
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The Death of Robin Hood (2026)★½Another Logan (2017) kind of movie. follows an old, tired, and guilt ridden man who sees himself as nothing more than a monster because of the life he has lived.
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Onslaught (2026)★½I get Overlord (2018) feels from this, especially with the military horror setup, enhanced soldiers, secret experiments, and this idea of supposedly unstoppable human…
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The Zone of Interest (2023)½Zone of Interest opens with almost four minutes of pure black paired only with a haunting synth sound.
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The Disaster Artist (2017)½Feels like This Is The End 2013, where the story seems like it was conceived while James Franco and Seth Rogen were smoking weed.
