Big Movies, Bigger Main Character Energy
Columbia Pictures has been attached to so many corners of my movie diet: action, comedy, drama, franchises, comfort rewatches, and full main-character cinema. This ranking is based on the Columbia-produced films I have watched, sorted by ra

From the opening moments, Quentin Tarantino’s cinema confidence is undeniable.

Visceral from the first frame, with no easing you in, but beneath the shock, this is a more confident and cinematic entry than before, with stronger visuals, better…


This film looks gorgeous. Hoyte van Hoytema really proves himself as a worthy successor to Roger Deakins.

What unsettles me most is how calmly it presents something so catastrophic, as if total destruction can be triggered by routine, ego, and blind protocol.

A grounded, physical Bond that leans on tension and clean action rather than gadget fantasy (thank God!).

Fury opens with a silhouette slicing through a blue washed battlefield, like a painting unfolding in real time.

Mindblown 🤯 First time in a very long time na mabitin sa isang movie!












Sherlock’s brain, Batman’s moral code, John Wick’s brutality, and John McClane’s DIY skills walk into a hardware store.


Now this is a proper opening! Controlled and allowing the action to breathe, unlike the opening of Quantum of Solace with its super shaky camera movements and fast cuts.

Denis Villeneuve did not waste time world building on the first few frames.

This one hooks me quickly because it starts with a lead character who is clearly selfish, sarcastic, and hard to root for.














A laid back and nostalgic Tarantino film that focuses more on atmosphere, character hangouts, and tension simmering beneath the surface rather than constant action.


The car fight scene where the assassin pretends to be Robert’s passenger is such a creative action setup.

Surprised that this is such a reflective emotional healing journey.

When dealing with the era of Jesus, the sets, locations, and costumes are very important for immersing me in the period.






















You gotta trust a movie when it has a Scott directing, a train, and Denzel Washington right in the middle of it.

I came in expecting another fun Spider Man movie and ended up getting something much more personal than I anticipated.


Ang bata ni Robert De Niro dito. Parang batang Jake Gyllenhaal energy sa Donnie Darko.













Best opening scene in the series. It immediately feels more cinematic, and the darker, old school brown color grading gives the film a different identity from the first…



I feel like I was the kid, always wanting to watch a movie in the theater and always predicting what’s going to happen.



While watching this, it really reminds me a lot of Seven Samurai (1954).


I experience this as a relatable story about creative persistence and passion, where the emotional core connects with me more than the performances.









Visually, On the Waterfront is great. The black and white cinematography, framing, and atmosphere give the film a strong old school texture that I can still appreciate…

Background noise kind of movie. Feels like a waste of Austin Butler’s talent.