ARWIN REVIEWS
All the Money in the World poster

All the Money in the World 2017

★★★½
Reviewed by Arwin Edward Bagaslao · 2026-03-01
Non spoiler thoughts (summary): What stayed with me most was how polished and controlled everything felt while the situation itself spiraled into chaos. I felt tension not just from the kidnapping but from watching how wealth, ego, and power quietly shape every decision. The film hooked me through atmosphere and performance. ⚠️ Spoilers ahead. From here on, plot details are discussed. Read on if you’ve seen the film. If not, save this post and come back after. ⚠️ This film is a gripping crime and survival story, shot and lit with a very deliberate cinematic polish. The kidnappers honestly felt amateurish to me because they kept forgetting to put their masks on. That small detail made them less intimidating and more careless, which ironically made the situation feel more dangerous since mistakes escalate consequences. His escape attempt was brilliant but painfully short lived, which made the situation even more hopeless. Then the ear cutting scene was brutal. Ridley Scott staged it in a way that I physically felt the pain instead of just watching it. Michelle Williams delivered another strong performance, on the same emotional level I felt from her in Shutter Island. I honestly laughed when Mr. Getty turned the ransom into a tax deduction. That moment perfectly captured the character study of extreme wealth. For him money is never just money. It is leverage, control, and negotiation power. Even the life of his grandson becomes a bargaining chip in a larger strategic game, including custody dynamics. His greed shows that having all the money in the world still does not make him feel secure enough to let go of it. The film also briefly touches on media behavior. The press behaves like flies around waste, relentless and intrusive, prioritizing exposure over empathy. They exploit the victim’s suffering for a story, and the photographers show almost no sense of responsibility.