Modern films that ran actual celluloid through the camera, not a sensor. Grouped large format first (IMAX 65mm, 65/70mm, VistaVision), then 35mm, then 16mm, chronological inside each group. Every title was checked against a primary source,

From the very first frame, the ocean waves churning behind a warship, symbolizes him being churned by a powerful force.


Binalikan ko ulit ito to give it another chance after rewatching Django Unchained, hoping na magugustuhan ko na siya this time.





I like the moment when Harrison Lee turns from being mad to eventually falling in love with László’s design for his library.

I went in blind here. Kala ko nung una, dahil sa title, puro violence lang ang ibibigay ng film.


If Dunkirk (2017) wore Greek mythology as its armor, this would be the result.


Maganda ang visuals. The symmetry and color palette are very deliberate, almost storybook-like.


A visually intoxicating love story about ambition, timing, and the painful trade off between dreams and relationships.


The Favourite is a visually striking period film that uses exaggerated wide angle lenses, crisp focus, and distorted framing to create an intentionally unsettling and…

Sa simula pa lang, may kadiri na agad. Ramdam ko na yung tension agad from the opening moments.


The film immediately stands out through its immersive sound and production design, where the environment feels alive and oppressive rather than just background.

A laid back and nostalgic Tarantino film that focuses more on atmosphere, character hangouts, and tension simmering beneath the surface rather than constant action.

This one eases you in with a relaxed, inviting vibe, letting scenes stretch out so people feel real.

Nellie (Margot Robbie) and Manny’s (Diego Calva) conversation early on is immediately relatable.


Detective style mystery, may pagka Knives Out with the world vibe of Sherlock Holmes and the grit of Peaky Blinders.

The visual style reminds me of the opening of Toy Story 3 mixed with those old Instagram filters that turn lips orange, layered with Wes Anderson’s pastel palette.


