A snapshot of my comfort-zone cinema: fantasy epics, early-2000s sci-fi, sports underdogs, kid-me blockbusters, and a little Filipino magic in the mix. From The Count of Monte Cristo revenge high, to Spider-Man’s swinging nostalgia, to the


This one hits close to home for me because I lost my conjoined twins due to heart complications.

I experience this as a tense psychological detective film where Nolan uses pacing, color, and performance to make me physically feel the character’s unraveling state.





















28 Days Later opens with a deliberately harsh and abrasive visual style that can feel difficult to read at first, almost punishing in its roughness.


All mystery, no shock. But I like to think of this more as a family drama with an alien invasion backdrop.

A light and funny heist movie where almost everything that can go wrong eventually does.

I honestly found this pretty dull, which surprised me because I usually like spy films.

Reminds me of the scale, period sets, and wardrobe of Killers of the Flower Moon (2023).
